I was recently asked to make headshot portraits for OCI, a chemical company located in Atlanta. Due to hectic client schedules, I took two portraits in our studio and 2 in their offices. They had to match existing photo styles so I took great care in replicating the light and keeping it consistant across two locations. I do this by making anal-retentive measurements of every piece of equipment. I can make the same photo years later if more shots are needed.
While in their office I also took photos of their new conference room which looks like it would be a great place to get business done or maybe challenge your friends to XBOX 360 on their big display screen.
As a surprise, our client also asked us to also make photos of 5 groups of workers in different departments. This had not been discussed previously, but it provides a great lesson in being prepared. Like many photographers, I tend to load up my car with backup cameras, extra lights and gear for such events. It is better to have too much and be ready than tell a client that I can't do what they ask.
Instead of picking 7 locations and 7 different setups, we chose 1 location near the front entrance that had metallic mirror tile, mixed color lighting and a brushed aluminum logo. This presented a lighting challenge since any lights that I used would bounce back into to the lens revealing themselves as annoying hotspots. Even my largest umbrella diffusers did not tame the reflections. I decided to bounce the flashes off of the hallways walls to give a soft light. Think of this as the photographic equivalent of a bank shot.
For the top brass, we went very informal which was a refreshing change from stuffy CEO power portraits.
While in their office I also took photos of their new conference room which looks like it would be a great place to get business done or maybe challenge your friends to XBOX 360 on their big display screen.
As a surprise, our client also asked us to also make photos of 5 groups of workers in different departments. This had not been discussed previously, but it provides a great lesson in being prepared. Like many photographers, I tend to load up my car with backup cameras, extra lights and gear for such events. It is better to have too much and be ready than tell a client that I can't do what they ask.
Instead of picking 7 locations and 7 different setups, we chose 1 location near the front entrance that had metallic mirror tile, mixed color lighting and a brushed aluminum logo. This presented a lighting challenge since any lights that I used would bounce back into to the lens revealing themselves as annoying hotspots. Even my largest umbrella diffusers did not tame the reflections. I decided to bounce the flashes off of the hallways walls to give a soft light. Think of this as the photographic equivalent of a bank shot.
For the top brass, we went very informal which was a refreshing change from stuffy CEO power portraits.
